presentation of the 'agenda diary "Secrets of strawberries" for the types of LietoColle
I will say at once that poetry is not only a literary genre, or, as claimed by Sanguineti, a mathematical formula, but essentially a mining entity, albeit a very special kind, since it is usually a submerged field, or latent, whose coils are attracted by the divining-poet, who, when it manages to get in tune with what the shakes groped to unravel the mystery and to warn the world.
Why, then, we wonder, this mysterious entity, this energy lying, in particular attracts the poet and not others?
In fact this is true only in part, because it always exist and develop in parallel to poetry also sublime art forms such as music, dance, painting, or sculpture, which tend to evoke strong emotions or arouse aesthetic, or fantastic, even playing in a completely innovative and original of what is already realized in nature through sounds, landscapes, events, deeds, events, figures, etc..
But what distinguishes the poem in relation to all existing forms of art is its unique ability to generate knowledge through the reshaping of language. In fact, not surprisingly, Vico argued that poetry does not want to be more that pure creation as a form of knowledge before and sensuous. This concept, taken over and enlarged by Benedetto Croce when he says that poetry - than to literature, which is the maximum expression of civilization - it requires essentially a work of truth.
And who tells us, then, that the poet has got it right?
Here is where the mystery begins that is fed into the debate between those who say that poetry is considered an art form like the others and how this concept will have passed, or removed, insisting in attributing to poetry his investigative role in relation to the mysteries that afflict the world around us and above us.
It 's a bit as it happens, just to understand, with the controversy between creationists and evolutionists who has not yet found the time its just way to being resolved.
Now, to get closer, somehow, the revelation of the mysteries of poetry - because of this we are called to speak - indeed, we think that hang on his side holds the empirical memory Lucretius on the nature of things through the honest observation of which the disciple of Epicurus comes to even suggest that the fate of man - and his world - lies only within himself. And the universality of the laws of nature makes their majesty is manifested equally in all things, small or the largest, and that the renewal of the material translates well into a poetic appreciation of all aspects of reality in which the visionary inspiration and tone inspired invest alongside the the most impressive spectacles of nature and human existence, many phenomena of everyday experience.
And, of course, Lucretius makes identifying the phenomenon of sensitive knowledge in the experience, even if the theory under which he constructs his materialist physics as the core activities of invisible entities such as atoms, completely sheltered from any possibility of immediate perception, to realize the perceptibility which he had developed a procedure for analog and intuition, based on observing the events in everyday experience, drew the key to the understanding of invisible phenomena.
And the use of this method, if we comparison, is both one of the pillars of reasoning persuasive and one of the fundamental matrix Lucretius generative poetic imagination that even today, among other things, we feel quite interesting.
Well, having said that, after having wandered for a while 'on the mysteries of poetry, we must now speak of the secret of strawberries, the practical how precious poetic diary for 2007 released by the types of LietoColle and very well maintained by Stefano Crema Salvatore and Countess.
Without a doubt, this is an act of faith by Editor Michelamgelo Camilli, who, with the secret of strawberries has renewed its commitment towards concrete and tangible poetry.
I said, This Secret of strawberries, as a journal handy as you browse and engaging with great agility, renewing page after page close encounters with some of the contemporary poets, known and unknown, who, trusting in this effective communication tool, renew a rite as old as the world as a new meeting, or a new hand, can open up a horizon that we thought lost forever over the abyss. The short
noticine and literary curiosity, entered in the diary month after month, further intrigue the reader, also reveals fragments of history and knowledge about some of the great literature of the time, of course, returns us immortal.
Not to mention, dell'utilissimo list - for people who want really and seriously to poetry - both of the major national awards (about forty), is the most important magazine of poetry and literature (over seventy), is still small publishers coraggiori that today, as Camilli ago, still, despite everything, and here I mean practically almost total oblivion of time in which the mass media has confined the poetry - to publish poetry. How
equally valuable and comprehensive I get a list of about four hundred titles of poetry published by a total LietoColle. A veritable treasure trove of authors to meet the need of any poetry reader, even the most experienced.
Reality that of small publishers dedicated to poetry, thanks to the growing success of this important initiative fair, more free books, which is also characterized by its originality, which could not escape the sensitivity of the president of RAI, Claudio Petruccioli, who also makes her the appeal of the Minister for Communications, Paolo Gentiloni, has given a new and palpable force in the planning of future schedules in favor of the RAI literature, culture and poetry.
effective, it will, we believe, beyond any rhetorical emphasis, is able to provide the initial thrust necessary and indispensable for a new Renaissance, at least for the renewal of language and the promotion of literature and poetry on a large scale.
And the proof is in this sense, the new category of literature The Navigator, directed by Franco Matteucci, mainly dedicated to young people, already broadcasting on RAI Futura for one hour weekly broadcast.
Thank you, especially today, to Michael Camilli for this latest act of courage for publication of her diary invaluable handbook of contemporary poets.
Rome, December 9, 2006.
************************************************ **************************
Comment by Angela
Dell 'intervention Franscesco Agresti I want to stress her to reiterate the' mysterious aspect of poetry as the art of communication based on the word and 'emphasis on its role as "reshaping of language, a phenomenon that today more than ever, the rate of recruitment of new terms and forms of expression that have as their primary characteristic of the creation and transmission speed - we think of youth slang, for example, or the terms information that spread rapidly to become verbal shared heritage - becomes a crucial task.
The role of small publishers, in addition, el 'assumption of responsibility in the creation of educational spaces dedicated to poetry and literature in the next schedules of Rai, are other points of his speech which I think is important to highlight and bring to reflection.
Poetry and cultural events prepared by Angela Immediate 
0 comments:
Post a Comment