Thursday, December 21, 2006

What Does A Toddlers Hymen Look Like

The book has not yet arrived at Eboli


The title, with 'animation you can see by clicking it, is a metaphor for the spread of lbro little, especially in the South, and the difficulties facing the' publishing sector.
publish below an 'interesting press release from the "excerpts from press release distributed by the Fair more books freer" in the four-day event ", taken from' Ulysses Lietocolle on the situation the book in Italy. (Click on the title to read).
pull out a song in particular that describes the function of the blog " the second day of the fair has seen since the morning thousands of visitors, mostly young, looking for new publications. Taken literally assault the Space Blog , new this year, where in the morning between colored sofas and big screens some 'bloggers' have spoken of the new frontiers of the book and information: from the blog website free, open dialogue with readers, can become capable of promoting books or make information The answer is yes. Or at least this is the right way because the blog, well-wide reference point in Italy and of youth, from recreational space in which a writer or a journalist can write and disseminate ideas and opinions, to become the space of those who already call themselves 'Proamar' (professional-amateur) .
The blog for the its usability, to the dynamic capability is much more effective than a static site .
E 'this feature is also our blog Francesco Agresti and its .

Tuesday, December 12, 2006

Hack A Rom With A Mac

Speech by Francesco Agresti Fair of small publishing of Rome

presentation of the 'agenda diary "Secrets of strawberries" for the types of LietoColle

I will say at once that poetry is not only a literary genre, or, as claimed by Sanguineti, a mathematical formula, but essentially a mining entity, albeit a very special kind, since it is usually a submerged field, or latent, whose coils are attracted by the divining-poet, who, when it manages to get in tune with what the shakes groped to unravel the mystery and to warn the world.
Why, then, we wonder, this mysterious entity, this energy lying, in particular attracts the poet and not others?
In fact this is true only in part, because it always exist and develop in parallel to poetry also sublime art forms such as music, dance, painting, or sculpture, which tend to evoke strong emotions or arouse aesthetic, or fantastic, even playing in a completely innovative and original of what is already realized in nature through sounds, landscapes, events, deeds, events, figures, etc..
But what distinguishes the poem in relation to all existing forms of art is its unique ability to generate knowledge through the reshaping of language. In fact, not surprisingly, Vico argued that poetry does not want to be more that pure creation as a form of knowledge before and sensuous. This concept, taken over and enlarged by Benedetto Croce when he says that poetry - than to literature, which is the maximum expression of civilization - it requires essentially a work of truth.
And who tells us, then, that the poet has got it right?
Here is where the mystery begins that is fed into the debate between those who say that poetry is considered an art form like the others and how this concept will have passed, or removed, insisting in attributing to poetry his investigative role in relation to the mysteries that afflict the world around us and above us.
It 's a bit as it happens, just to understand, with the controversy between creationists and evolutionists who has not yet found the time its just way to being resolved.
Now, to get closer, somehow, the revelation of the mysteries of poetry - because of this we are called to speak - indeed, we think that hang on his side holds the empirical memory Lucretius on the nature of things through the honest observation of which the disciple of Epicurus comes to even suggest that the fate of man - and his world - lies only within himself. And the universality of the laws of nature makes their majesty is manifested equally in all things, small or the largest, and that the renewal of the material translates well into a poetic appreciation of all aspects of reality in which the visionary inspiration and tone inspired invest alongside the the most impressive spectacles of nature and human existence, many phenomena of everyday experience.
And, of course, Lucretius makes identifying the phenomenon of sensitive knowledge in the experience, even if the theory under which he constructs his materialist physics as the core activities of invisible entities such as atoms, completely sheltered from any possibility of immediate perception, to realize the perceptibility which he had developed a procedure for analog and intuition, based on observing the events in everyday experience, drew the key to the understanding of invisible phenomena.
And the use of this method, if we comparison, is both one of the pillars of reasoning persuasive and one of the fundamental matrix Lucretius generative poetic imagination that even today, among other things, we feel quite interesting.

Well, having said that, after having wandered for a while 'on the mysteries of poetry, we must now speak of the secret of strawberries, the practical how precious poetic diary for 2007 released by the types of LietoColle and very well maintained by Stefano Crema Salvatore and Countess.
Without a doubt, this is an act of faith by Editor Michelamgelo Camilli, who, with the secret of strawberries has renewed its commitment towards concrete and tangible poetry.
I said, This Secret of strawberries, as a journal handy as you browse and engaging with great agility, renewing page after page close encounters with some of the contemporary poets, known and unknown, who, trusting in this effective communication tool, renew a rite as old as the world as a new meeting, or a new hand, can open up a horizon that we thought lost forever over the abyss. The short
noticine and literary curiosity, entered in the diary month after month, further intrigue the reader, also reveals fragments of history and knowledge about some of the great literature of the time, of course, returns us immortal.
Not to mention, dell'utilissimo list - for people who want really and seriously to poetry - both of the major national awards (about forty), is the most important magazine of poetry and literature (over seventy), is still small publishers coraggiori that today, as Camilli ago, still, despite everything, and here I mean practically almost total oblivion of time in which the mass media has confined the poetry - to publish poetry. How
equally valuable and comprehensive I get a list of about four hundred titles of poetry published by a total LietoColle. A veritable treasure trove of authors to meet the need of any poetry reader, even the most experienced.
Reality that of small publishers dedicated to poetry, thanks to the growing success of this important initiative fair, more free books, which is also characterized by its originality, which could not escape the sensitivity of the president of RAI, Claudio Petruccioli, who also makes her the appeal of the Minister for Communications, Paolo Gentiloni, has given a new and palpable force in the planning of future schedules in favor of the RAI literature, culture and poetry.
effective, it will, we believe, beyond any rhetorical emphasis, is able to provide the initial thrust necessary and indispensable for a new Renaissance, at least for the renewal of language and the promotion of literature and poetry on a large scale.
And the proof is in this sense, the new category of literature The Navigator, directed by Franco Matteucci, mainly dedicated to young people, already broadcasting on RAI Futura for one hour weekly broadcast.
Thank you, especially today, to Michael Camilli for this latest act of courage for publication of her diary invaluable handbook of contemporary poets.

Rome, December 9, 2006.
************************************************ **************************
Comment by Angela
Dell 'intervention Franscesco Agresti I want to stress her to reiterate the' mysterious aspect of poetry as the art of communication based on the word and 'emphasis on its role as "reshaping of language, a phenomenon that today more than ever, the rate of recruitment of new terms and forms of expression that have as their primary characteristic of the creation and transmission speed - we think of youth slang, for example, or the terms information that spread rapidly to become verbal shared heritage - becomes a crucial task.
The role of small publishers, in addition, el 'assumption of responsibility in the creation of educational spaces dedicated to poetry and literature in the next schedules of Rai, are other points of his speech which I think is important to highlight and bring to reflection.

Monday, December 11, 2006

Where To Get Green Tea Cream For Rosacea

More free books: exhibition in Rome of Italian small and medium publishing

To learn more, click on the title


Saturday, December 9, 2006

What Does Cm Look Like Just Before Your Peri

From esoteric Gianky Metric: Metric Song



I know a place where white stands out - the air.
The sun has stopped hurting
as a gem - not to perish
kissed the white crests - air. Once
- even I did not die for
I took my poetry
the metrics of poetry - like a flute and
- I decided to leave.
some time - to start
I said no!
the country and along the river in the country
had torn clothes and
sail through the storm - the sign.
Forte - the rush of sailing! One day I saw a muzzle

a deer with a big nose -
I thought - the expected sign! -;
tramutai me - in water - a fish - offended.

Oxygen reached me denser. But thoughts

majestic sunsets wonderful
although there are sewage from dense!
I do not know how long - I swam with their bellies touching

the surface of the sand;
such as anger - are misrepresented. If the hair has run down

with fins and hand
always dragging my hand
I gained the limelight of the basin. I've seen sailors

rotten hulls of sailors
reels, foam
excavation - at sunset, red foam.

at night - became the backdrop - a bit cold
'melancholy;
a bit' nostalgic, so
- sigh in the morning - cold.
spaces were more of a handle amp;
fluid - always - in the dark and colder
- most - of the cold. Then
- the prospects were opened - in the abyss viaticum
melancholy;
top - a flat green
the sun - my lawn - green
behind the shadows - of fish - in a pack.
In the morning - the new day
uncertain and already tired - I was afraid
quest'abisso
my dark abyss
the salty taste
my shell - - Mud caked.

Satings About Vegas Weddings

from esoteric Gianky: Introduction and Agenda of the acrostic

Introduction

and parts for this new literary adventure: to compose poetry, and hopefully good poem, using the metric of all time, in every country. I'll try anyway. Why?
The verse was certainly a great achievement. Being able to dial without having to worry about harnessing the words in formal architecture, for some, including me, must have seemed like a great achievement. The metric allows course combinations of words certainly more small.
But with time, was born a reason. I asked myself: the absence of the metric has basically eliminated something by which the poem had worked for centuries? I think so!
Poetry historically was designed to be accompanied by music and dance. So it had to be the lyrics of a song, and the metric would be the formal architecture to flesh out the internal rhythm of the composition. Delete the metric has meant changing the nature of poetry, prose to approach her, and give the impression that it was the genre accessible to anyone who wanted to try. - Just say it with heart. - Say the newcomers - do it as well as the flow was expected. -
But you're saying! The poem is formal research before all else is a mystery why a large poetry is just great!
Finally, a misrepresentation of the current romantic, gave the coup de grace: the poem as an expression of simple emotions to focus on romantic moments ... but you're saying!
Then I realized that what at first looked like a revolution against a tradition fossilized into mannerism, using blank verse in fact, had taken only the craft of composing poetry. Let me be clear, without claiming to succeed in my purpose, I know that poetry is philology, rhetoric and tradition. Every great poet of the past had to deal with the poetic tradition that preceded him. Latin culture and Greek culture even before ... as potersene steal, especially for a poet who writes in Italian, which is mainly the evolution of the previous two languages? Concepts discounted ...


I bought a text, namely, the Dictionary of linguistics and philology, meter, rhetoric directed by Gian Luigi Beccaria. Having it as a base, in alphabetical order, I present my poems entangled in the songs of the past, with esoteric eye.
This is my personal tribute to the tradition and the roots of poetry.


Also, how to resist the temptation to compose using a meter of my invention? And so I did ironically with Gianky: 3 stanzas: the first one: a triplet, a descending chorus, with respectively 11, 7 and 4 syllables (rhyme: A, b, c) a room of 7 lines: 5 +5 +11 +11 +11 +5.11 and rhyme: d, d, a / E, E, B, C; last triplet, a rising chorus (syllables: 4, 7, 11; rhyme: c, b, A).
L 'author


acrostic

A nNOTE - This note rhythms
N ew lines of the labyrinth of rooms:
G iacimenti in which I will turn
E motion like an idiot.
L AVAV well - a child - consciousness
A nnusando the meshes of my mother.

Friday, December 8, 2006

Cheap Shag Bands Blogshop

strawberries Lietocolle


Within the 5th Exhibition of small and medium publishing will be presented in Rome, Saturday, December 9, 2006 at 18.00 in Calvin Hall of the Palazzo dei Congressi EUR, the "Poetic diary 2007 - The Secret Wild Strawberries Lietocolle editions, edited by Stephanie Salvatore Contessini.Tra Cream & Speakers Maria Luisa Spaziani, Francesco Agresti , Corrado CalabrĂ², Dante Maffia.